Photo Credit: Phil Wayes
Showing posts with label Ballets: Amahl and the Night Visitors. Show all posts
Showing posts with label Ballets: Amahl and the Night Visitors. Show all posts

Tuesday, December 22, 2009

The Blue Comet

(Photos courtesy of my cell phone. That explains the lamentable quality. Sorry.)
Well folks, it's all done.

I was at the theater for the matinee, and watched part of the show from the audience. It was neat to see it from the front-- I saw a bunch of things that I never really noticed from inside the action.
When I got to the theater for the final show, I was a little nervous. I sewed myself into my pointe shoes and tacked down my wig, then joined the rest of the company onstage for our warm-up.

While A was nervous before the opening performance, I was nervous before the closing show-- to the point where I kept reminding myself to "JUST CHILL OUT ALREADY, CASSIE." I paced around onstage, ran though choreography, and exchanged "Merde[s]" with other dancers. After we circled up to do our pre-show prayer I was much calmer, and when I took my place at downstage left I had a smile on my face. I was ready.
I could not have had a more beautiful final performance. I felt my energy go through the roof, A and I really connected and played off one another's energy-- it was probably my strongest performance of Amahl that I've performed. The kings were magnificent, E and Frank were just a-dorable in their pas de deux, and before I knew it, it was over. My last time dancing Amahl, my last performance with the company.
We had our talk-back with the audience after the show, where we discussed what performing in the show meant to us and what we felt some of the "lessons" of the ballet were. Afterwards, the dancers cheered and exchanged high-fives and congratulations-you-were-awesomes. Our director told A and I that she had been sitting in the back of the theater and "could read everything we did" and that it was beautiful.





Back in the dressing room, we talked excitedly and exchanged hugs. I thanked our director for letting me dance Amahl again and for all the opportunities she has given me in these last three seasons. I also told E-- my long-time partner in crime-- that I would miss her like crazy.
I felt emotional and almost sad saying goodbye, but the thing is-- and I never really told anyone this, until now-- I have known since October that Amahl would be my last show. I won't go into my reasons, because they are too personal to blog... but I wanted to go out on the show that I came in on, and I wanted to go out on a good note. My final performances of Amahl were the best I could have asked for, and for that I feel both thankful and blessed.

I stopped to visit Sozeberg on my way home. He asked how the show went (Me: "Fabulous!") and said "So you're done, huh? The end of an era." I said "True. But a whole new one will begin in a few weeks. It's a transition, all right."And now, here's your moment of Zen:

"That's what SNL was for me, it was a giant hair shirt. Don't get me wrong-- I had some great times there, God bless them...This is how I encapsulate it: I feel like the Native American who accepted the pox-infested blanket from the U.S. Calvary. 'For me? Thank you! ...uh, I don't feel so good.'"
~ Janeane Garofalo, 1995

Sunday, December 20, 2009

Notes from 'Amahl'

We assembled at the theater at noon to start getting into makeup. LP gave us all makeup advice; C and A worked on their "Mother" makeup as LP and I transformed ourselves into little boys. I stapled my wig onto my head and sewed myself into my pointe shoe; the company warmed up together onstage. After warm-up, Cast B had a few minutes to get into costume for a pre-show dress run.

The run went very well, aside from a few slip-ups (e.g. I almost fell off The Page's back during the fight scene). After that, we had all of thirty minutes to re-group before the opening performance. A was nervous-- we both had a pretty strong dress rehearsal not even an hour ago, is that a bad omen for the opening show? I didn't feel too nervous at the time-- I touched up my makeup, went onstage to run through some stuff during the curtain speech, gave A a hug and told her we'd be swell/we'd be great...

...that is, until the curtain speech ended and the overture began. Sitting there in my opening pose, I must have crossed myself at least four times. And then the curtain went up, and then the show began.

It was magnificent.

A and I were both amazed at how easy it was, how much fun we had, how much we both melded into our characters-- for an hour, we stopped being two dancers and became a concerned mother and her flighty young son. We bounced our energies off of each other and off of the three Kings; everyone had a wonderful rapport onstage, nobody fell down, all the props were where they needed to be, all the extras were adorable, and it was all over really, really quickly.

No, I mean, it was over really quickly. After I exited following my final solo (which went swimmingly, by the way), I just though to myself "Wow, it's over?"
Of course, it isn't/wasn't-- we had our curtain call (wild applause!) and talk-back, and the performers hung around onstage to talk to audience members. All in all, we got wonderful feedback from audience, cast and crew, it was a fun show, and Cast B has one more go at it tonight.

We had about a two-hour break before we met at the theater for the evening performance-- Cast A's show. The company took class together onstage, ran through whatever was needed, and Cast A got themselves ready. A and I hung out in our dressing room and watched the show on the monitor-- it was sort of like Girl's Night/Movie Night, only at work. Our counterparts performed beautifully; C and LP are a wonderful Amahl/Mother duet and they took in a lot of applause.

Today's the last day. We all meet for company class at noon; Cast A performs the matinee and we [Cast B] perform in the evening, the last show. This is my twelfth and final performance with [Awesome People] Dance Company, and there's a small part of me that can't believe it's over already.

"Alright, already, we'll all float on.."

Saturday, December 19, 2009

'Amahl' Recap is Coming, For Now:

The first day of Amahl and the Night Visitors was lovely. I'll tell you all about it in the morning; for now:

...here's a cell-phone picture of what I look like in drag. In case, you know, you ever wondered.

Congratulations, both casts of Amahl and the Night Visitors. What a fun, wonderful two day. See you tomorrow for Round Two.

Friday, December 18, 2009

The End of the Beginning.



Amahl and the Night Visitors opens tomorrow. In twenty-four hours, to be exact.

Lying in bed this morning, I realized that I've spent the past few days feeling the same way I did in the days leading up to Best in Ten-- a mix of excitement and anxiety; anticipation with a touch of nail-biting nerves. Sure, I've done this ballet before; sure, I love this role; sure, healing from injury has helped tremendously-- but at the same time, this is my last performance with this dance company and I want to go out on the highest note imagineable. It's the titular role, the central protagonist-- it was also the first role I performed with [Awesome People] Dance Company, and now it will be the last.

You can see why I really want this to go well.




We had our final in-studio rehearsal today. I realized, upon signing in at the theater, that I am going to kind of miss that place (I'm sure I'll be back to see shows there, though). Rehearsal itself felt good-- both yesterday's run and today's felt strong and were, well, just plain old fun. I felt myself dissolving into Amahl, full of energy and spirit and imagination. R plays Kaspar the Deaf King-- the same role he did last time around-- and he and I have really developed a strong rapport between our characters (probably doesn't hurt that he and I are buddies in real life). I love watching Melchoir, he's so beautiful and engaging as a dancer. E and Frank are so so super cute as the Shepherd Duet-- they have a wonderful connection to each other, and their combined abilities really light up the hell out the stage.



In a few hours I leave for The Theater for dress rehearsal. We perform four shows, starting tomorrow; AT and I will perform two of them (but we'll be in the theater for all four, of course. You know, just in case/God forbid). We're performing Saturday matinee and Sunday evening-- the first and the last.


Here goes.

"Have you seen a Child the color of earth, the color of dawn?"

Thursday, December 17, 2009

The Final Countdown

Sorry you haven't heard from me in a while, folks. I've been busy/out with a COSTAL INJURY WTF/stressed/busy some more. Man, this whole "busy" thing is really cutting into my blogging time.

Anyway, here's a quick recap of what's been going on during the hiatus: Snow melts, rehearse for Amahl and the Night Visitors, Christmas parties, rehearsals, injury, whine incessantly about injury, and the final week of Amahl rehearsals.

We open in two days.

Yesterday, some of the board members came in to watch our rehearsal; they were very sweet and said wonderful things about the show. Afterwards, they had lunch with the company and got to know the dancers. It was all very pleasant. Today-- since Amahl incorporates a lot of American Sign Language into the choreography-- we had a gentleman come in to look at our signing and make sure we were doing the signs correctly. He was very receptive, and it was really nice to work with him and get his feedback (we learned a bit more about ASL in the process, too).

So here we are: the final countdown. In 48 hours, I will already be onstage. On Sunday night, I will dance my final performance of Amahl-- my final performance with the company. After that, I leave for Pennsylvania and won't be back until 2010.

Things will be different when I get back, but I'm looking forward to what's coming up. The spring season is going to be a whole new ball game-- dancing and performing Letters You Wrote, creating several new works (including Everywhere I Go and Corelli Concerto, which, by the way-- WHEE), performing in another new show this spring-- it's gonna be great.

But that's all in the future. For now: It's Christmastime in Houston, and I've got a date with a crutch and a stage.

Sunday, November 1, 2009

Of Friendship and Dancing

One of my dancer buddies called me up to say "I just wanted to tell you that you are wonderful as Amahl. I love to watch you, and you and [Mother] are great together."

How sweet is that?

...................................
.........................
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...I think this proves my hypothesis: I have the greatest friends in the entire world. And I love every one of you. <3

Edited to add: I was digging around looking for a book when I stumbled across a flyer from the last time we did Amahl. Ironic.

Wednesday, October 28, 2009

One Crutch, One Shoe


While was showering this morning, I thought to myself "Wow, that underarm is feeling a little tender. Huh. Must be from the crutch."

That's right folks-- it's Amahl and the Night Visitors season!

Here's how my last two days have gone down: Ballet class at 9:30, then Frank and I drive over to the theater for rehearsals with P--- a long-time James Sewell Ballet dancer who is setting the ballet on us (I love working with P, she set the ballet on us two years ago and is fourteen kinds of awesome). LP and I are sharing the role of Amahl, and two new dancers are sharing the role of the Mother. I love them all--they're so wonderful to work with. I'm already feeling a wonderful stage chemistry with A, who plays "my mom."

The only dancers not double-cast are the three wise men wise guys kings and the page. Two of the Kings I have not worked with before, but they are beautiful dancers (and one of them looks exactly like Furio Giunta. And he's so great) (and he looks like Furio Giunta). I'm slightly incredulous as to how my body remembers choreography that my brain has forgotten-- it's been two years since I last danced this ballet, but something about hearing the music and being in the space with the other dancers helps bring it back into my muscles. Not to mention? It's so fun. SO FUN. I'm starting to think that if there's one role out there that's perfect for me, it has to be this one. I just love every second of it.

So, we're two days in and I'm loving this process. I'm getting re-acquainted with the crutch, the feeling of wearing only one pointe shoe, and the sign language. I've killed two pointe shoes in two days and I don't even care-- I threw a few extra pair in my dance bag and I'm ready for round three tomorrow.

"How far? How far, my crystal star?"

Friday, October 10, 2008

Cue the sad piano music.

I found out today that a show I was slated to perform in is now not going to happen.
*sniffle*
Now, if you'll excuse me, I'm going to be over at the Chocolate Bar. Eating my feelings. And doing the Charlie Brown Sad Walk.


Saturday, September 6, 2008

No Nutcrackery here: Christmas Sewell- style

The highlight of my post-California blah-blah-blah slump has been finding out that myself and another dancer are sharing the role of Amahl in Amahl and the Night Visitors this season. It's a ballet of the 1951 Menotti opera, choreographed by James Sewell for his company in 1995.* The company I dance with here in Houston picked up the ballet in 2005, and last year added the element of a live orchestra and live singers. Amahl was my first performance with them, and I had a wonderful time. L also danced the role a few years ago, and we're both super-excited.

In other dance-related news, I'm creating two new works on my dance ensemble, and it's coming along nicely, if not very slowly. Stravinsky is the cheese to my macaroni. Assuming that I were made out of noodles, of course.

I'm off to ballet class. More updates later; for now, here's your moment of Zen. Oh, by the way, don't click on that if you're eating. Just....do not.

* Totally random story regarding JSB: When I went to the Taylor Intensive in NYC a few years ago, I met a girl who danced with James Sewell Ballet. I looked it up on the internet and decided that the company looked seriously awesome-- based on the website alone, mind you, not having seen a performance
(that whole Penn-is-far-away-from-Minnesota thing). Despite that, I was of the opinion that "James Sewell Ballet is The Shit" years before I even got to see any of their work; needless to say I was not disappointed. In the least. JSB, why must you be 1200 miles from Houston?

Saturday, December 15, 2007

Showtime

2 down, 2 to go.

The opening performance was excellent/amazing/wonderful. 100 school children from a community program came as a group, we got a loud and wonderful ovation.

Despite my lethargy when I arrived at call for the 7:30 show, after sewing myself into my pointe shoe and stapling my wig onto my head I was much more awake. Warmup, costumes (sewing myself into my pants), makeup, and we were off. During the curtain speech all five of us "main" dancers (Mom/Amahl and kings) gathered on stage to continue warming-up and bantering. The curtain speech gave me time to get nervous, though once the overture started I was fine. It was a good run--I didn't feel as strong as I did in the matinee; but still good; we had another good audience with a good reaction.

Afterward: After-party on the stage. I introduced my Mom to Treble D (the "other" Amahl)'s mom, so they could converse on the grounds that they have Being Amahl's Mother in common. I could say so much about the shows, but these are the Cliffnotes: it is a wonderful ballet that I am privileged enough to dance in alongside some really wonderful people.

Tomorrow is the last 2 shows. It's weird to think that 24 hours from now I won't be carrying my crutch around anymore.

Notes from dress/tech rehearsal

Last night was our dress/tech, and it went really well. We got costumed and makeuped (and, in my case, wigged), then the five of us got onstage to through the ballet on our own before the rest of the cast joined us. We went through the big “crowd scene” (the scene with all the shepherds and the considerably large and magnificent- sounding live chorus). After we worked through there scene, we started a run. I was surprised, during a the breaks, to walk into the hallway by my dressing room and see my mom standing there (she finally made it to Houston at 6pm; I had to send Roxy and her brother to go pick her up).

We finished the run at 8:30, and it was very smooth for only being our second (yes, second) run with the full orchestra. We fixed a few musical things and were done by 9pm-- which is impressive, seeing as we were scheduled to be there until 10 or 11ish (Those of you in the industry know that a tech rehearsal that gets done early--and with all in good spirits!-- is a highly impressive anomaly).

Woke up to some serious rain-storming going on. Here's to hoping it lets up by the time I leave for the theater.

Two performances today- I’m psyched. Here goes.

Wednesday, December 12, 2007

(imported from 'A Long Walk off a Short Pier')

Recaplet:
- Last night was the first rehearsal of Amahl that involved the full cast, opera singers, and orchestra. The music. Sounds. PHENOMENAL. When the full orchestra kicked in at full volume for the climax of "He Walks," it blew the pants of me. I was without pants. Yes, that good.
-Our company director and the music director were interviewed on KUHF today. It was a really neat interview; they discussed the pathos of the story and the emphasis on difference in class and the depth of the characters, primarily the Mother. My name was mentioned in there somewhere, too. :> D, who sings Kaspar, was on air to sing "This is my Box." It was pretty nifty.
- My mom is coming to Houston to see me dance(!). TOMORROW. Provided she doesn't get iced in at Newark.
- Tomorrow = Thursday= day off? Not this time. Class, wig fitting, rehearsal, scramble-round-running-errands break, rehearsal with CSDE, then to the airport.