
This was a thirty-minute rehearsal that took place at the very end of the night. I was in the mindframe of "we've got a lot to do and not a lot of time to do it," she this was very much a "speed rehearsal:" trying to crank it out, give corrections, and run it as many times as possible. I shouted out choreography and corrections at about a mile a second, which is not unusal for me-- whenever it comes close to opening for a show that I'm working on, I go into this frantic- choreographer mode. Warm-ups are quick, we run the dance as many times as we can, and whenever I need to stop andgive notes or "clean" a section I talk like somebody who's had six too many cups of coffee. It's crunch time, folks.
I was in that mode pretty much all of last night, but we got quite a lot done and it was a productive evening. I was surprised, though, to find myself far more tired than I normally am on a Wednesday evening. I went to a friend's house afterward; I rolled in at 10pm, still in dance clothes, hair askew, reeking of sweat and marley burn (we had a nice evening after I got myself cleaned up, though; we unwound by watching a ball game and hanging out with a friend of his).

A couple of weeks ago I got to choreograph the solo variations for the White Rabbit. The inital variation-- where she first appears-- was redonkulously fun to choreograph. The character's repeated catchphrase-- "I'm late! I'm late!"-- lends itself to a fast-paced and very frantic scene (and lots of really fun, really fast petite allegro). The variation is comical in tone; mixed in with a classical petite allegro are moments of rushing across the stage with arms flailing every-which-way. The dancer really delivers, too-- she's absolutely hysterical! When I initally set out to choreograph this scene, I wasn't quite sure what I wanted, but I'm very happy with the way it turned out.
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